My book the image of God and the perfect man does not consist of only one perfect man or woman, but it comprises a society of people a city of people who is set on a hill and cannot be hidden. A nation a state, a city whose builder and maker is God. Where holiness unto the Lord is.The image of God and the perfect man is also relating to a free society, where there is no dictatorship of sin mastering or controlling your life, a nation of people who believes that all things are possible through Jesus Christ who strengthens them. A society of people who believes in overcoming sin while yet living in this present world. After you have received the power of the holy ghost in your life. If you can recall John the baptist is the one who said behold the lamb of God which taketh away the sin of the world. Now if Christ have taken away the sin of the world, than why are we still continuing therein. He has taken away the very nature of sin because he intended for us to live in a world that is free from sin. So that you and I can be happy. It is sin that causes us to be unhappy and dissatisfied with ourselves and with others. It does not matter how much money we have, or how many Grammys you have won, without Jesus Christ in your life, you will never reach the full potential of true happiness. The image of God and the perfect man is a nation of people within a nation. The nation of Jesus Christ. Where you shall know the truth and the truth shall make you free.
This is a biblical study that is geared towards pointing people back to the original purpose God had for creating mankind. In addition to this being a study for individuals, this book can be used as a devotional for couples to complete at home or in a small group. There are seven sections to this study, with each section containing scripturally based reading assignments and discussion questions.
This book also comes with free videos for each chapter and topic that go beyond the written material. To access the free videos simply access the video links provided in each section.
The powerful political call for 'open access' to information has become a formative aspect of our societies and culture. As an expression of cultural freedom, digital technology creates a tension between access to information on the one hand and control and power strategies that seek to restrict access and centralize datasets on the other. This book considers the evolution of information systems as centering upon control, open access, and knowledge, tracing the development of these notions from the Nineteenth Century.
Author Sara de Freitas provides a kind of cultural history that reworks not only how we think about information per se but also how we reconsider the human in relation to it - demonstrating the ways in which information and its pervasive influence upon cultural forms is writ large upon our social and physical spaces, our human processing, our data systems, and our everyday life. The cross-disciplinary approach used in this book will appeal to researchers and PhD students in a wide variety of disciplines, interested in information as a guiding force in the changes in our spaces, both digital and cultural.
"Yes, Violet, --yes, my little Peony," said their kind mother, "you may go out and play in the new snow." Accordingly, the good lady bundled up her darlings in woollen jackets and wadded sacks, and put comforters round their necks, and a pair of striped gaiters on each little pair of legs, and worsted mittens on their hands, and gave them a kiss apiece, by way of a spell to keep away Jack Frost. Forth sallied the two children, with a hop-skip-and-jump, that carried them at once into the very heart of a huge snow-drift, whence Violet emerged like a snow-bunting, while little Peony floundered out with his round face in full bloom. Then what a merry time had they! To look at them, frolicking in the wintry garden, you would have thought that the dark and pitiless storm had been sent for no other purpose but to provide a new plaything for Violet and Peony; and that they themselves had beer created, as the snow-birds were, to take delight only in the tempest, and in the white mantle which it spread over the earth.
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